We are delighted to reveal the lucky recipients of our Florence and Cill Rialaig residencies:
Paula McGrath will have the honour of residing in St Mark’s Church, Florence for one week this October and Louise C. Callaghan, Kate Kavanagh, Martin Malone, Dairena Ní Chinnéide, Nessa O’Mahony, Sydney Weinberg and Adam Wyeth will be heading to Co. Kerry this autumn as well.
Congratulations to these eight writers and we’re sure they'll have a fruitful time!
If you missed the deadlines for the above, fear not... the Jack Harte Bursary at Annaghmakerrig, a two-week fully resourced Writer-in-Residence Bursary, is once again open for applications. Click here to read more about the Jack Harte Bursary.
I Am Dublin: For the birds by Gavin Corbett April 07 2016
Our flash fiction competition 'I am Dublin' during the Five Lamps Festival showcased emerging writers and established writers including Gavin Corbett & Paula McGrath.
We have shared the winning entries on our blog and are delighted to be able to share the stories of Paula and Gavin with you as well. Below is Gavin's story.
For the birds
I’m a romantic, I suppose. I like the shine of the granite and I like the stories. I like BTs’ bed linen for the softness, that’s my indulgence, and I like that I’ll never see the inside of Fitzwilliam Square. I’m a Dublin man. I used to believe that one day Maura’s ring would turn up. Every little squit of doo-doo I’d look for that diamond. The other week, even, in Marks’s rooftop café, I was sitting there with my coffee and my pastry, and a seagull was knocking on the glass, trying to get to me. He was trying to say something. You’re the little gurrier, I said.
I used to believe the ring would just turn up, that’s the truth. Maybe I still do. There’s hope yet, and there’s always hope. It can happen. Things turn up. Some drugs turned up in my shore once, flushed down from Mountjoy prison. But as I say, I’m a romantic, and that’s just foul. But I got a reward.
No; I said to Pat once, your sister will come back to me one day, and it’ll be her ring. That’s how she’ll come back. ‘Yeah,’ he said, and I changed the subject, or so Pat thought. I spoke about seagulls. Pat thinks I’m a weirdo. He’s from Dungarvan, like Maura was, all the Roches; – culchies.
I said there were so many seagulls in the city, that they lived their whole lives here without ever going to sea. Why do you think that is, I said? I said I’d heard it was because of the smell of fish in the air.
Pat said, ‘Fish? But there’s no fish in Dublin. There’s not even a fishmonger. It’s because of the rubbish is all it is. Dublin’s filthy. The seagulls love the dirt.’
But then I heard there was fish in Guinness. And isn’t the air of Dublin saturated with Guinness? Can’t I smell it when the barley’s roasting? And I’m a human, I have a bad sense of smell. Can you imagine what a seagull smells?
I say I heard this but I was actually reading it in an article. They were writing about it because Diageo are taking the fish out of Guinness. Vegetarians putting pressure on Diageo. Diageo, I tell you. Vegetarians. Good night, I said.
I Am Dublin by Paula McGrath April 05 2016
During the Five Lamps Festival the Irish Writers Centre hosted a flash fiction competition 'I am Dublin' which showcased emerging writers along with some established writers including Paula McGrath and Gavin Corbett.
We have shared the winning entries on our blog and are delighted to be able to share the stories of Paula and Gavin with you as well. Below is Paula's story.
From up here, says the bird, it is a city like any other, concrete brick machines glass, a river, a port. And look, over there, on the crest of the bridge, a boy.
From up here, says the boy, it is a port like any other, filled with ships containers warehouses cranes. But it is not any other, it is Dublin. This bridge is Samuel Beckett, and the grey green river is called the Liffey. I asked when I first came.
My English is better now. I make it a game to pass the time. Too much time. I watched the others, closing in, closing down. Down time, free time, free run.
Missing my playground—obstacle course of rubble and scree, a scramble through buildings unfinished or bombed, king of the castle atop roofs of burned out cars—I cracked open the hostel window, crept out along the ledge, dropped to the balcony then the roof below, across the abyss with a leap.
Leap of foot, fleet of foot, leap of faith, this is the game I play. From scaffold, to ancient city wall, to excavation where Luas will run, I run. Parkour, in an other language. Government building iron rail is my tightrope; I balance; I am outside, I am in. Tonight, the boardwalk, Liffey wall, swing on string of Samuel Beckett's harp, to my lookout, my crow's nest. This is where I have come to think about another city, ruined and racked and full of broken things. Tomorrow, in government buildings, I learn which city is mine.
But it grows light. Tomorrow is already here. I grip the rods, manoeuvre to the curve, then slide, and drop to the metal path below, to bollard, to bench, to grey canal bridge, then I leap. In that space, between take-off and landing, I unmake and remake myself; I live, and breathe, and sigh.
From up here, says the bird, it is a boy, not like any other, from up here, he looks like he can fly.