The Short Story – artform for lives lived in flux, with Aiden O’Reilly

Course Summary

The short story is the natural art form for a view of life as fractured and in flux. It is for the voices of those whose lives do not form a coherent unity. (Frank O’Connor said it is for a ‘submerged population’.) We read the works of some classic and modern short story writers and borrow techniques from them. We look at plotting an outline, voice, character and style. There will be a focus on rewriting and editing.

Course Outline

Week 1: Introduction via classic short stories. A look at Frank O’Connor’s seminal text. A look at oral story-telling. Reading list of short stories that give voice to a ‘submerged population’.

Week 2: Plotting, impetus, drama. Storyboarding a favourite short story. Creating an outline of a story. (Following O’Connor’s suggestion)

Week 3: Description – embodied and dynamic descriptions. Check on progress in developing story from outline. Reading list of stories that make use of the surreal/horror/New Weird.

Week 4: Voice and point of view. What to omit from the finished text. Editing exercises

Week 5: Editing workshop: Class swap short stories for editing. A look at plotless writing / experimental writing (examples from contemporary writers).

Week 6: Rewriting. Workshop feedback. Opportunities and Resources to advance your writing

Course Outcomes

Participants will do writing exercises in-class, discuss stories on the reading list, and complete a first draft of a short story.

Aiden O’Reilly’s debut short story collection Greetings Hero was published in 2014. He studied mathematics, and has worked as a translator, a building-site worker, an IT teacher, and a property magazine editor. He won the biannual McLaverty award, and his fiction and essays have appeared in The Dublin Review, The Irish Times, The Stinging Fly, Litro Magazine, The Bookseller, The Missouri Review, the Winter Papers, the DRB, and many other places.