Fact or Fiction: Using Personal Experiences to Tell Stories with Tanya Farrelly
Date: January 15, 2024
Time: 2.00pm - 4.00pm
Duration: 8 weeks
Level: Beginner | Emerging |
Cost: €240 (€220 Members)
Online/In Person: Online
This course will take place online on Mondays for 8 weeks
Please note that class will not take place on Mon 5 February
In this workshop attendees will explore how to use real life experiences to write stories and personal essays. Most great fictional stories are inspired by truth, whether that is something that has happened to the writer or somebody they know, or a simpler truth such as a familiar location or a conversation remembered. The personal essay takes a more direct approach and is popular for its confessional tone. In this course, we will experiment with both forms so that participants will come away with a better idea of whether they prefer to write factual essays or to incorporate their truths into fiction.
We will begin our course by discussing the differences between writing personal essays and using real incidents as a kicking off point for writing fiction. Participants will read sample stories by the course facilitator, which she will then discuss and answer questions about, thereby giving an insight into the practice. Participants will then try their hand at producing a short story inspired by some truth that they have experienced. We will talk about the importance of asking “What If” – for ex: what if my real situation had had a different outcome – would this work better in a fictional account? The answer is probably yes as a story is more than simply an incident.
We will move from the short story to writing personal essays. Creative non-fiction essayists use many of the techniques of the fiction writer to draw readers into their stories. We will look at these techniques such as visual writing, use of the senses, and minute detail in works such as Handiwork by Sara Baume and A Ghost in the Throat by Doireann Ní Ghríofa. We will look at the element of surprise that can occur in the essays Small Rooms in Time by Ted Kooser and The Fourth State of Matter by Jo Ann Beard. We will also see how the two forms can seem to merge in Visitor by Michael Cox.
By the end of the course participants will have completed set writing exercises to hone their skills in both the areas of fiction and creative non-fiction writing. Through a mix of teaching, practise and production, they will have gained an understanding of how both genres work and which they are more drawn to. Each participant will also have completed one short story and one personal essay, which we will critique in class.
Tanya Farrelly is the author of four books: two short fiction collections: When Black Dogs Sing (Kate O’ Brien Award 2017) and Nobody Needs To Know. (Arlen House, 2021), and two psychological thrillers: The Girl Behind the Lens and When Your Eyes Close (Harper Collins) She holds a PhD in Creative and Critical Writing from Bangor University, Wales and was appointed Writer-in-Residence at NUI Galway in 2021. Tanya is a recipient of an Arts Council Agility Award and is currently working on a new historical fiction novel.
Farrelly does an effective line in mood and intrigue as she weaves her narrative magic, effortlessly drawing the reader ever further into the unsettling tales she has fashioned. When black Dogs sing is a collection at once bold and playful, and brimming with the assurance of a writer in command of her craft.
Author of Psychotic Episodes, Ithaca, Laura Cassidy’s walk of Fame
For a debut novel, The Girl Behind the Lens is quite spectacular.
The London Economic
An absorbing psychological thriller … Oliver Molloy is one of the most skin-crawlingly creepy characters to appear in Irish Crime Fiction this year.
When Your Eyes Close is refreshingly original and thoughtful, as well as moving at a fantastic pace. An excellent, twisty tale.
Author of The Confession, The Boy Who Fell, After the Fire
An unflinching look into the hidden depths of human psyche, thoroughly enjoyable.
Author of Last to Die
A superbly twisty tale, each chapter a window on a dark & disturbing world that will keep you hooked.
Author of The Cathy Connolly Series
Where Farrelly's crime debut The Girl Behind the Lens came coated in gritty realism, When Your Eyes Close revels in its fantastical premise.
Tanya Farrelly is very generous and enthusiastic teacher. I really enjoyed the thought-provoking writing exercises she suggested during the course. Her instructions are clear, helpful and great fun.
Tanya's vibrant energy, her love for and profound knowledge of creative writing make her a fantastic teacher. I look forward to each and every class with her!
I've learned a lot from Tanya Farrelly. She knows how to encourage and guide aspiring writers to improve their craft through concentrated examples and useful exercises.
I really enjoyed Tanya's writing classes. There was a good balance between structure/teaching and sharing/critiquing. Tanya was very motivating and encouraging of all participants.
I enjoyed Tanya's writing classes very much. They were not only knowledgeable, but also energetic. After her classes I got new ideas about how to improve my writing and organize my creative time.